DRAGONMOUNT

According to a new post on Team Jordan's Google+ page, Harriet McDougal—wife of the late Robert Jordan, and his editor—will be presented with the Jerry Zucker Lifetime Achievement Award.      Dragonmount, and I'm sure so many Wheel of Time fans, also wants to extend their congratulations to Mrs. McDougal on such a tremendous achievement!

Here's a overview of the first ever Wheel of Time Convention held in Australia.  It was written by Russell Dady.       The inaugural 2015 Land of Madmen con was small but almost perfectly formed. Although there were nearly as many organisers as there were guests, a great time was had by all and everyone is very much looking forward to next year.   Those of us on the organising committee arrived from across the country at 8am to set up. For those of you who, like me, had forgotten there is an eight o'clock in the morning, there is, and apparently it's possible to decorate a small venue adequately at that time in the morning.   And it was a great venue for a con of this size - a room about the size of a basketball court with an optional divider in the centre which we put across so we could run both panels and workshops at the same time. Of course, that divider also allowed us to put up posters:     We had the boys in the workshop and the girls in the panels, because it's the Wheel of Time and gender division is all the rage, so why not? In addition to those, however, we also had an awesome Banner of Light and Dragon Banner made by the incomparable Eleanor Chandler-Temple especially for the con:     Yes, those are individual scales and yes, they are hand-stitched. She's crazy. But then I'd know, I married her.   Doors opened just after nine and we got our first guests shortly thereafter. Panels and workshops started at 10. In our lack of experience we may have made a mistake in scheduling the two at the same time, but the group were happy to divide into two and those who were interested headed into what we termed the Seeker's Room for the panel. Plus, I got to play with the microphone.     Our first panel discussed leadership in the Wheel of Time, led by our guest of honour and WOT fandom superstar Linda Taglieri, with occasionally helpful assistance from myself. We discussed not only the examples of competent and incompetent leadership, but were able to examine in more detail those who were just meh in their leadership abilities. It was an interesting and amusing discussion conducted in a round table fashion by Linda (who for some reason did not want to use the microphone).   Meanwhile, the other half of the group headed into the Weaver's Room (great names, Eleanor!) for the Painting the Pattern session hosted by Nyn Blueajah, with her own artwork on display. By the way, thanks to the incomparable Ariel Burgess for providing the posters you can see above Nyn's art in the following shot - we had five in total and they really helped us look the part.     After a short break, we were back for more with Linda's panel on the character's biggest mistakes in the series and the first part of the chainmaille workshop led by Amanda Harper. At around this point, we also got out first walk-in guests, a couple who had come all the way from Melbourne after seeing an article on Tor. We were delighted to welcome them and everyone soon got stuck into what interested them.   By this point I was having far too much fun with the microphone so Linda let me be on the panel again on the condition that I switch it off. As we all know, some of the characters in the series make nothing but mistakes and so it was great to be able to go through and consider things from a new perspective: for instance, while we all know Elayne's never seen a trap she hasn't walked into, we also discussed the fact that the series' master villain, the Dark One himself, makes more than his share of mistakes leading to his imprisonment.   It was then time for lunch, so as much as I loved that microphone, I decided I also liked food and headed out with the group to Burwood for dinner. I was also tasked with finding something for Eleanor to eat as she was still in costume (did I mention there were costumes? I'll come to that in a bit).   It was then time for the final panel of the day, while the chainmaille makers continued making chainmaille. Including poor Brian, who had only been given permission to come if he came back with a bracelet. I don't think he quite finished it but Amanda was happy to sell him the tools to do so - lucky she had spares!   Our final panel was my personal favourite: we got to discuss the real world influences on the series, from mythology to X-Men comics (yes, X-Men comics. Ask me about my Logain=Wolverine theory sometime). We went into some real depth with this one, plucking the depths of Linda's considerable knowledge about the series, history, mythology, and everything in between. We even got into some comparative discussion with other fantasy works and how Jordan seems to draw on more sources than almost anyone else in the Wheel of Time.   We then had the costume parade, so those who had made the effort to come in cosplay lined up outside:     No, wait, those are Linda's dolls. It's difficult to tell sometimes. Ahem. As I was saying, those who had made the effort to dress up lined up outside - and then it started to rain, so they lined up back inside.     Linda and the rest of the organising committee judged the costumes. Despite my insistence that my wife's costume was clearly the best, she resisted the temptation to vote for herself and eventually it was decided that the most impressive cosplay was Gino Aintoquia as Rand al'Thor, complete with an excellent Callandor which he graciously passed around for everyone to examine.     Seriously, that is a nice sword. Well, technically it isn't (a sword).   Finally, we arrived at the climax of the event: the reading of an excerpt from the upcoming Wheel of Time Companion, graciously provided by Tor and Team Jordan. In actual fact, we had four excerpts: the entries on Linda and her husband Frank in their WOT guises as Lind and Frask Taglien, innkeepers of The Great Gathering at the Black Tower; the entry on the Land of Madmen (hey, that's us!); and finally the longest and most interesting entry, Tam al'Thor.   I'm not going to betray the confidence of Tor and Team Jordan by providing details on what was included in these entries, but it should suffice to say that secrets were revealed (I never would have believed that about Linda!) and I think the Companion will be an invaluable addition to any fan's Wheel of Time collection.   We rounded out the day at the venue proper by moving the trivia competition, once again devised by Amanda, up the schedule. Some of those questions were hard, but the inclusion of chocolate for clever or amusing answers was a well-regarded move. While Linda declined to participate (it would have been totally unfair, she's Linda Taglieri. 13th Depository's Linda Taglieri!) she did confess to me that she wouldn't have got 30 out of 30, which was a comfort to me as I only got 14 and a half.   We decided to hide in the venue until our booking ran out as it was raining quite heavily by this point. When we finally had cleaned up and got everything out, it was back into Burwood for dinner, which all but two of our guests and organisers were able to attend, at Cafe d'Or. The food was delicious and a good time was had by everyone. There was even a sa'sara demonstration by some professional dancers at the restaurant as the evening wore on!   The first Australian Wheel of Time convention may not have had the bustle of JordanCon or the profile of Worldcon, but it was a great way to get an event off to a start in a country that has more than its share of WOT fans. We will be back next year, and hopefully the year after that, bigger and better each time.         You can view more of the pictures at the Land of Madmen's photo gallery.

Great news from Ta'veren Tees!     Ta’veren Tees: The Wheel of Time Store is extremely proud and excited to announce that we have a very limited amount of SIGNED copies of The Wheel of Time Companion: The People, Places and History of the Bestselling Series by Robert Jordan, Harriet McDougal, Alan Romanczuk, and Maria Simons. If you can’t get to a book signing, this a great way to get a signed book!   The Companion is available for preorder now at TaverenTees.com/companion. Preorders through Ta’veren Tees will receive a free WoT nylon drawstring bag with their order. All items ordered with the Companion will be held and shipped when the book is released on November 3.     Over the course of fifteen books and millions of words, the world that Robert Jordan created in The Wheel of Time series grew in depth and complexity. However, only a fraction of what Jordan imagined ended up on the page, the rest going into his personal files. Now The Wheel of Time Companion sheds light on some of the most intriguing aspects of the world, including biographies and motivations of many characters that never made it into the books, but helped bring Jordan's world to life.   Included in the volume in an A-to-Z format are: ·        An entry for each named character ·        An inclusive dictionary of the Old Tongue ·        New maps of the Last Battle ·        New portraits of many characters ·        Histories and customs of the nations of the world ·        The strength level of many channelers ·        Descriptions of the flora and fauna unique to the world ·        And much more!   The book also includes art by officially licensed The Wheel of Time artists.     Make sure you order your copy soon!

I love encyclopedias. Absolutely love them. I read my Junior Britanicas cover to cover when I was a kid. I read Wikipedia for fun. I play trivia games. I even competed in the Geography Bee state finals as a kid.  So as a Wheel of Time fan and lover of encyclopedias and trivia, I am the perfect target audience of this volume. There was absolutely no way I’d dislike this volume. An alphabetical listing of every person, place or thing ever mentioned in the series? Sold. Who do I give my money to? Whether or not other Wheel of Time fans enjoy it depends entirely on what they were expecting from it. First off, this volume is almost overwhelming in its completeness. I’m not kidding when I said it lists nearly every noun used in the series. Even minor characters get an entry. The random historical references Birgitte makes that no one understands get entries. Some of these entries are slight, because there’s not much known about that character. Others are almost too complete. (You will never guess, for example, which prominent Aes Sedai worries about the size of her bottom.) The articles on Aes Sedai, the White Tower and the Seanchan were the most detailed, reflecting the amount of work Jordan put into building these aspects of his world. There are some surprising bits of trivia about the Red Ajah and their pogram against male channelers after the Aiel War. Someone could probably put together a more detailed history of those events after a close reading of those articles and those of individual Red sisters. Even the article on humble, sweet Bela has an extra detail that will probably make you smile. There’s a few things that I wish were organized differently. The Old Tongue section has a list of every word appearing and it’s meaning. That’s super handy. I would have liked to see the same thing with sword forms and had a list of each form and it’s description, if known. All of the herbs are included, but not as one entry. There’s a few places where I’d like to see a family tree, such as any of the entries on the Damodreds and Trakands. But none of these extra details shed any light on what happened after the Last Battle. If you were hoping for, say, confirmation on whether or not anything from Aviendha’s visions came true, you aren’t going to find it here. Team Jordan says very firmly in the foreword that this volume is meant as a companion and reference to the novels, so there’s nothing in it that  moves any of the plot, characters or setting beyond what we already know. My only real disappointment with the Companion is the art, or lack of it. There are a few illustrations by some noted Wheel of Time artists, as well as the maps that appeared in the series. But none of this is new art commissioned specifically for this book. Instead, it’s re-publications of art already used in the Wheel of Time wall calendars and playing card decks produced by Ta’veren Tees. It’s all good art and I’m sure there’s still plenty of people who haven’t seen it, so it will be new to them. But for a series that’s so well noted for it’s detailed descriptions of, well, everything, a few more visuals would have been nice. I do think it’s important to note that the PDF copy I read was over 800 pages, so they probably included all they possibly could and still keep it to one volume. I’d love to see the whole thing converted into an app at some point and become a searchable database. I have a cookbook that was converted in that way on my phone and it’s one of my most useful apps. Having a searchable database to consult while re-reading would be a very handy thing and would get around the whole “you have to actually print and bind this” issue. Overall, I think the Companion is a great thing for hard core Wheel of Time fans who want a quick reference to consult while re-reading or arguing on the internet. A more casual fan probably doesn’t need this, unless you absolutely have to have a complete book shelf.

Want to vote for the greatest Wheel of Time character, and do a good deed at the same time?  To celebrate the release of The Wheel of Time Companion, Waygate Foundation is hosting a donation drive, encouraging donors to vote for their favorite character--Rand, Mat, Perrin, Egwene, or Nynaeve--each representing their own specific charity.  Here are the details.     As stated, each character represents a specific charity.  Here's the lineup, featuring beautiful artwork by Ariel Burgess:             Visit Waygate's website for more details and to donate!

I was very excited to get an opportunity to have an interview with artist Paul Bielaczyc.  Paul is well-known within the fandom for his Rand al'Thor cosplay, and as the co-directors of the JordanCon Art Show.  He's an amazingly talented artist, in many mediums, and I'm looking forward to seeing more of his Wheel of Time artwork at JordanCon next year!       Q: Let's start with your artwork in general.  How long have you considered yourself an artist?   A: I have been drawing and sketching for as long as I can remember, probably before I even started kindergarten. My mom used to enter us in all the coloring contests at local restaurants and stores. I still remember winning a gift certificate from Wal-Mart when I was 5 or so, which I used it to get a Stomper truck. I took quite a few art classes in high school, but never focused on it, as I was preoccupied with AP classes that would lead to scholarships for college. I even applied to the TN Governor's School for the Arts one summer and didn't get accepted, so I just didn't feel like I was an artist.   The first moment that I think it sunk in that I was an artist was the summer after high school. I was on summer vacation with my family, and my brother, Michael, whom I co-own Aradani Studios with, was showing his portfolio to my uncles. I remember thinking that I wish I could draw like he could. I pulled out a sketch book and played around with a charcoal pencil, trying to draw characters from a fantasy book I was reading. It looked awful. Charcoal is a very soft medium, so the tip of the pencil gets dull very, very fast. So the lines were very thick, and when you are trying to draw a figure that is maybe 6 inches tall, it just didn't work.   I pulled out my .5mm mechincal pencil, and started again. I was drawing a scene from The Scions of Shannara by Terry Brooks. It was the first time I had read such an expansive series, I think there was 9 books out at the time I was working on it. Well during the course of a week on vacation, I spent about 24 hours total, working on a single piece of art. I was drawing at night, next to the pool at a friend's house, pretty much all the time. I had never done that before. And when I finished, I finally felt, I am good at this. It was then that I realized that, for me, to truly make a memorable piece of art, it just took time.    Q: Your style tends to look amazing in black and white.  Are you drawn more to that than color?   A: It isn't that I am necessarily drawn to black and white, it just sorta happened. In college I took a few drawing classes, and a few of the assignments were in charcoal (back to charcoal!). As I completed these assignments, I learned some techniques that solved some of the problems I had mentioned previously.   When I graduated college, I figured that I had to learn how to oil paint, since most fantasy artists paint in oils. However, the first piece that I worked on was Nightmare. Again, it was one of those times where I truly sat down and dedicated time to a piece. I have no idea how much time I spent on planning and taking photo references, but I know that the actual time spent drawing the finished piece was between 60 and 80 hours. When my brother came to my house when I was about 80% complete, I remember him just blinking, and saying, wow. He was utterly impressed with something I had made, and it made me think of the summer when I have been thinking the same thing about his art.   The first show that we did after I finished Nightmare was Chattacon in 2005. I ended up winning 2 art awards at the Con, and had a list of people that were upset that I hadn't made prints of that piece. And that was the moment when I decided I didn't need to be an oil painter. If I could work in my favorite medium, win awards, and sell prints of my work, then I just wanted to become the best charcoal artist that I could be.   Sometimes I have needed to work in color, and when I do, I use soft pastels. I had an amazing opportunity to apprentice with a master pastel artist in Kirby, Wyoming one summer, and I learned quite a bit in those 10 days while out there. Soft pastels work similar to charcoal so it wasn't a huge learning curve, but I still prefer to use charcoal when I can.     Q: Beside Wheel of Time, what other fandoms are you inspired by?   A: Over the years I have done a variety of costumes, mostly inspired by movies and video games that I really enjoy. The Legend of Zelda is probably one of the biggest influences. It was one of the first video games I ever owned, and I have pretty much owned each entry in the series. I am still purchasing them today in fact. It was my first real cosplay too. I hired a bunch of talented friends to help make it a reality, a seamstress since I can't sew, and an armorer to make my shield out of leather and wood.     Over the years I have also dressed up as the Ice King from Adventure Time, Ash from Army of Darkness, Jareth the Goblin King from Labyrinth. I have always wanted to make a Fiery costume from Labyrinth, but in order to make that, I would need to learn a lot of different skill sets in costuming that I currently don't have, and that mostly means I would need time, which is the one thing that I can't seem to find right now.      Q: Your artwork also encompasses cosplay.  How did you get the idea of doing a ta'veren photo shoot, and how do you think it influenced the Wheel of Time fandom?    A: Years ago when I was finishing up my Master's degree at Vanderbilt, I decided to dress up as Rand al'Thor for Halloween. I think one person knew who I was. I was really into the books at that point, and thought it would be cool to draw the dragon tattoos on my arms.       At the time I didn't know the talented group of people that I do today, so most of the costume was found on eBay, or simple alterations to existing costumes and clothes that I found. But I finally got to use my Heron Mark blade for something other than hanging it on a wall.    Years later while selling my art at Dragon*Con, a man walked by the table dressed as an Aiel. When I complimented his cosplay, he bowed deeply, "Thank you, Car'a'carn." I looked at him confused. He then told me how he found my cosplay photos online, and that him and his friends all thought I was the perfect Rand, and said that they pictured me as they read the books. I was humbled. It was so cool to think that other people not only had seen my cosplay, but were that big of fans of such a simple costume. And I decided that was that, I should always dress as Rand al'Thor.   A few years later when Cliff Tunnell decided to do a photoshoot of his Matrim costume, he invited me down to Atlanta to be a part of it, along with John Strangeway as Perrin. When I heard that Dim Horizons would be taking the photos, I dropped everything to be a part of it. I had always loved their Bioshock photoshoot at the Atlanta Aquarium, and I wanted to be a part of something that memorable.   Honestly, I don't know how it has influenced the fandom. I know that Dragonmount and Tor put some of the shots up on their sites in the past, and I hope the fans thought we did a good job representing the characters. I was very excited when Brandon Sanderson signed my copy of A Memory of Light a few years back at JordanCon, he actually asked me, "Do I make this out to Paul, or to Rand?"       Q: In the past, your artwork has been featured on shirts from Ta'veren Tees.  Are there plans to do more in the future?   A: I do have a few ideas in the works, both for new Ta'veren Tees designs as well as some personal pieces that are in a similar vein to "Padan Fain" and "The Last Battle." It is very difficult to put a fully rendered image on a shirt (and quite pricey), which is why my first few designs were all white silhouette imagery. I was trying to balance catching the iconic characters, but in a manner that was easier to reproduce on a shirt. I am not sure if I can discuss the future shirt designs, I am not sure if Ta'veren prefers them to be a surprise announcement, and there is the sadness to fans when you come up with a design that just doesn't get approved or end up working out.     Q: Your piece "The Creature That Had Once Been Padan Fain" will be in the Wheel of Time Companion.  Since the image has already been shared with fans, can you tell us about it, how you captured one of the most evil villains in the series?   A: One of the first things that I do when I start on a new piece of art is go online. I find references for poses, faces, landscapes, clothing. And I use those as a jumping off point. It is hard to find the exact shot for figures, so I usually find something close to what I need, and then take photos myself for figures. But for backgrounds, it is helpful to be able to so easily find pictures of rivers, mountains, jungles, since most of those things don't exist in Nashville, Tennessee. Or at least don't exist like I want them to.   So the first thing that I did was to look at every single depiction of Padan Fain that had been done over the years. There were 3 that really jumped out at me. I was drawn to Seamus Gallagher's and Jeremy Saliba's renditions of his face and hair. I thought about what worked, and more importantly, what spoke to me, and included those aspects into my sketches.    I also was a big fan of the depiction of Fain in The Wheel of Time Roleplaying Game book. I liked the idea that he was wearing this fancy, lacy nobleman's coat, thinking of himself as more important than he really is. And I liked the idea of him not realizing that as he traveled all over the world, chasing after Rand and company, murdering Trollocs and Myrddraal, that his fine clothing would become more ragged and tattered, but he would still feel the same pretentiousness and arrogance, which in the end, lead to his demise... oops, spoilers.   From there it was all about taking good photo references. I posed for the picture myself, wearing my Asha'man style coat that I wore at my first JordanCon. I set a lamp on the floor underneath me to create some good under lighting, which usually makes anything look a little more off than it should otherwise. And then I had a friend take probably 100+ photos of me, subtly changing my pose for each shot. Once I have the photos that I need, I use a projector to transfer a simple line drawing to my canvas, and then begins the long process of working in charcoal and chalk to make the finished piece. So while a computer is involved for some of the early planning, my artwork is done traditionally, resulting in a single, unique one of a kind original at the end of the process. While I do wish sometimes that life had an undo button, or that I could work in layers, having that one of a kind at the end is well worth not having that undo button.     Q: Though you can't tell us specifics, can you hint about what other artwork you'll have in the Companion?   A: One of my other pieces in the Companion is The Last Battle, which was seen in an earlier, cropped version in the calendar for 2015. After the calendar was completed, Team Jordan approached me about including both pieces from the calendar into the Companion. In fact, I think Alan Romanczuk actually said, "Would you mind if we used these in the Companion?" Would I mind... it just made me laugh that he was asking permission. It is one of the reasons that I love working for Team Jordan. The freedom that I am granted to work within their universe is the opposite of most of my experiences working on illustration jobs. For most of my jobs, there are deadlines, forced changes, illustrating scenes that don't speak to you. But when working on The Wheel of Time art, I send an idea and a few sketches to Team Jordan, and they either say yes or no. So in the end, I choose what scenes to depict, and I feel that when an artist is granted that freedom, their heart can truly be felt in the finished product. At least for me it is.     Q: How long have you been reading The Wheel of Time Series?   A: I tried reading The Eye of the World in high school, and I got to what I call "the hump" and put it down. I feel that most people that start a new book series will read a few chapters to determine if it is worth the time investment to pick up such a monumental series of books. For me, that was the end of chapter 4. I got to the end of chapter 4, and just didn't feel that the book had spoken to me. A little while later during my freshman year of college, I saw the display at the school bookstore for The Path of Daggers which had just been released. A friend of mine said that he really loved the series, so I decided to pick it back up.    How was I to know that chapter 5 was the moment, the hook needed to catch me and never let go. So my journey with The Wheel of Time started in 1998, and I was with it for 15 years, waiting for each new book to be released, hoping that the character arcs that had me enthralled would come to a conclusion. I can't remember how many years I waited for Egwene to break free of her captivity, but when it finally happened in The Gathering Storm, I remember the chills, the goosebumps, and the tears in my eyes. It was a moment of frustration and joy. Frustration that it took so many years and so many books to happen, but joy that can't be felt when binge reading a series. If I hadn't had to wait so long, the emotional release would not have been as powerful.   Q: Who is your favorite character?   A: I always was a big fan of Rand, partly because I could cosplay as him. I remember as he started falling into darkness that I was a little sad because I was starting to not like him as a person. I didn't feel like I wanted to cosplay someone that I didn't respect or like. But then a few books later that was resolved and it was like a weight was lifted from my shoulders.   Q: Which character do you relate the most to?   A: I guess I would say Rand again, but I would like to stress that I don't talk to a voice in my head, or have a horrible, festering wound in my side, or three wives... I guess it is mostly because I have dressed as him for so long, that it really created a bond between what happened to him as I read the series.     I'd like to thank Paul for his time!  To see more of Paul's artwork, you can check out his website!

Most of the loyal Wheel of Time fans know Joe O'Hara as one of the podcasters from tWoTCast.  But, he's also very involved in other aspects of the fandom, namely art.  Joe has had Wheel of Time artwork in the past four JordanCon Art Shows, his art has been featured in Ta'veren Tee's yearly calendars, as well as in The Wheel of Time Companion due out November 3rd, 2015.  I had a chance to ask Joe a bit more about his love for Wheel of Time art, and the inspiration behind some of his projects.     Q: Since you have a Bachelors degree in Fine Arts, do you think studying art from an academic standpoint helps you achieve your creative goals?   A: Of course raw talent is essential but studying and refining that talent is definitely important but your environment plays a larger role than most people realize. Being around other artists is kind of like immersing yourself into another language by visiting the country, gaining new perspectives opens up your creativity.   Q: Your "Life In Comics" series looks fascinating.  Have you considered adding yourself into your Wheel of Time art?  Maybe playing dice with Mat?   A: I’ve never actually considered putting myself into my Wheel of Time art, no. I guess because it’s usually a little more serious and less tongue and cheek but I do pose myself as a model for Mat most of the time. Some more obviously than others.     Q: Your artwork features a lot of bold colors.  Does this derive from your passion for comic style?   A: Not intentionally but comics has had an immense influence on my art so it probably bled in there from somewhere.     Q: You've entered artwork at the JordanCon Art Show for the past several years.  At JordanCon 5, your entry, "The Last Battle," was so impressive. How difficult was the project, using only shades of red and black?   A: Thank you. The project was difficult but not because of the shades of red and black, that was actually easier than adding full color. Comics teach your brain to think in black and white. Usually someone draws with pencil and then an inker comes in and adds true blacks, color is the last step. It was sort of like leaving off that last step. Mainly the found object material I used as a surface to paint on was being a real “b” word and not accepting the paint. Took a lot of coats. Also getting that much detail into such a large piece is simply time consuming.     Q: Since it's been released that your piece "For Owyn" will be in The Wheel of Time Companion, can you tell us your thoughts on that particular artwork?   A: Well, I knew I wanted an old west feel. The showdown between Thom and the Myrdraal. That camera angle that takes you between someone's fingers and a pistol. Since Thom was the focus, the Myrdraal took front stage with his sword being drawn. Thom took a few revisions involving the placement of his knives from Team Jordan but the one that crushed me was them telling me he wasn’t wearing his trademark cloak in that scene. He had just given it to Rand so I was told to change it to a normal brown cloak. I knew he wasn’t wearing it, but I was just hoping they didn’t notice so I could draw all those patches.     Q: Does being a member of tWoTCast bring you closer to The Wheel of Time fandom?   A: Short answer, yes, absolutely. I talk to fans all over the world via twitter all because they listen to the show. I try not to shove my art down people’s throats though so I’m not sure how many listeners know I’m a Wheel of Time artist as well. On a local level we do our LIVE shows at JordanCon and that has definitely (a?)effected how close I am with other fans of the series.   Q: Who is your favorite Wheel of Time character?   A: My all time favorite has to be Nyneave and I’m sure a lot of people that know me are calling me crazy right now. She’s a strong, stubborn as hell, badass and I have a real appreciation for her especially in the later books.     Q: Which character do you identify with the most?   A: Matrim Bloody Cauthon.        I'd like to thank Joe for sharing with us!  I can't wait to see what works of art he'll have for JordanCon next year!  For more information, you can visit Joe's website!

Today, Dragonmount turns seventeen!  The site has evolved a lot over the years--as webmaster Jason Denzel is quick to talk about his cease and desist letter from Robert Jordan, on account of a fan-made animated video which helped launch the website.  What started off as a small project eventually grew into the website we know and love today.     With so many people coming and going over the years, we have a lot of memories about different aspects of the site.  I asked some of our staff members to share their favorite Dragonmount memories.   Mashiara Sedai   Aiel Heart   Graendal's favourite   Red2111   There are so many aspects of the website, from discussions, to Social Groups, to articles and blogs.  Over the last seventeen years, we’ve seen a lot of change.  Some of our old features, like the “Ask the Chosen” column, have gone away, but new things have always popped up to take their place.   What's your favorite Dragonmount memory?  What do you think makes this site worth visiting?

Tor Books announced today a book tour to promote the upcoming Wheel of Time Companion, as well as Jason Denzel's debut novel, Mystic.  Harriet McDougal, Alan Romanczuk, and Maria Simons will be on the tour for Team Jordan.    Here are the dates and locations:   Nov 3 – Mount Pleasant, South Carolina / Barnes and Noble (Also joined by our friend Michael Livingston, promoting his book, The Shards of Heaven) , 7:00pm Nov 4 – Seattle, Washington /University Bookstore (Held at University Temple), 7:00pm (Ticketed event. See website for details) Nov 5 – San Francisco, California / Borderlands, 6:00pm Nov 6 – Petaluma, California / Copperfield’s, 7:00pm (Ticketed event. See website for details) Nov 7 – Los Angeles, California / Vroman's, 6:00pm Nov 8 – San Diego, California / Mysterious Galaxy, 2:00pm (Ticketed event. See website for details) Nov 9 – Las Vegas, Nevada / Las Vegas County Library, 7:00pm Nov 10 – Santa Fe, New Mexico / Jean Cocteau Cinema (Hosted by George R.R. Martin) Nov 11 – Houston, Texas /Murder by the Book, 7:00pm Nov 12 – Chicago, Illinois / Anderson's Bookshop Naperville, 7:00pm Nov 14 – Sacramento, California / Barnes and Noble (Natomas), 2:00pm (Jason Denzel only) Nov 15 – Elk Grove, California / Trent's Bookshelf, Time TBD (Jason Denzel only) Nov 21 – Raleigh, North Carolina / Quail Ridge Books & Music, 2:00pm (Harriet, Maria, Alan only) Nov 28 – Davis, California / Avid Reader Bookshop, 7:30pm (Jason Denzel only)   We hope to see you come and attend the Last Book Tour for the Wheel of Time, and also help launch Jason's book!  For those of you who can't attend these locations, have no fear, you can always attend JordanCon and meet the same people each year.

Harriet McDougal had donated an advanced reading copy of The Eye of the World, signed by Robert Jordan, to an auction benefiting the College of Charleston School of the Arts. You can find more information on Robert Jordan's The Wheel of Time Google+ Page.