DRAGONMOUNT

WoTCon 2024 kicked off with a bang headed by the Master of Ceremonies, Matt Hatch from The Dusty Wheel, and WoTCon’s Operations Director, Nae’blis. Opening Ceremonies featured the esteemed Guy Roberts as this year’s Guest of Honor.   With a stellar lineup, including Michael Livingston, Maria Simons, and the talented audiobook duo Michael Kramer and Kate Redding, the stage was set for a remarkable gathering.     Throughout the event, the blend of serious discussion, creative exploration, and WoT knowledge created an atmosphere that was inviting and fun.   The convention was structured into panel sessions, which were categorized into tracks like Main, TV Show, Games & Fun, Book, and Creative. The track names are a bit clunky, but I appreciated the clarity. Each session was rated for spoilers, ensuring all participants could enjoy without fear of unexpected reveals, a thoughtful touch that highlighted the organizers' commitment to inclusivity for all fans.   Panels at WoTCon were a core highlight, offering a variety of topics ranging from in-depth character analyses to speculative discussions about the series’ future. The panels offered a chance to delve deeper into the aspects of The Wheel of Time and encouraged active participation from the audience, making discussions a dynamic exchange. The printed program clearly described each panel, ensuring that attendees could easily follow their interests and engage fully with the content most relevant to them.    One of the most anticipated sessions was the Season 3 Speculation & Adaptation panel, where fans shared their hopes and concerns for the upcoming television adaptation. Another fan-favorite was the WoT Ones panel- a Wheel of Timey twist on the viral Hot Ones spicy wing-eating game show. Speaking of favorites and spice- the relationSHIP panel explored potential romantic pairings within the series, allowing attendees to flex their looney theories in a spicy new way. The WoT IRL- Heroes of the Horn panelists speculated which real-life figures might be tied to the Wheel as Heroes, encouraging interesting discussions.     The WoT Fantasy Draft turned character analysis into an engaging sport, where participants chose characters as if picking a fantasy sports team, leading to lively debates and strategic thinking.    Guests imparted their wisdom with Michael Livingston providing his expert analysis of the Last Battle and content creators providing valuable advice in the Content Creation & How to Do It panel. These were just some highlights, there were plenty more- you can find the full schedule on their website.   Panels aren’t the only thing on the program for WoTCon. The con’s nightlife was definitely kicking!  Friday night's featured a special dinner for content creators, guests and those who purchased the all-inclusive event ticket. The giant sing-along and all the games in the atrium set the tone for a weekend of celebration and connection.    Throughout the weekend, cosplayers showcased their incredible talents, culminating in a vibrant cosplay parade on Saturday.   I saw Bear Elayne and also watched Shael give birth right on stage! Visit our WoTCon 2024 Photo Gallery to see more costumes in action.      The banquet (this time for everyone) on Saturday evening was a highlight, with Matt and Nae'blis providing entertainment by reading anonymous notes from attendees that ranged from heartfelt thanks to delightfully cringy WoT-themed dad jokes and even a donation challenge. We were also treated to Kate Redding & Michael Kramer's reading of "The Grave is No Bar to My Call" from The Great Hunt. It was easy to see the experience was deeply appreciated by all who attended.   Post-dinner, the room transformed into a lively dance party (with a bar!) that lasted all night. We danced so much, we would have made the Tinkers proud. For those less inclined to dance, the atrium hosted a Trivia game and plenty of people to chat with, ensuring there was something for everyone.   It wouldn’t be a Wheel of Time convention without badge ribbons and shenanigans. There were badge ribbons (and stickers!) aplenty. Maria was giving out star stickers, which is so appropriate since she is an absolute star. Creator Salts designed some adorable stickers- a sister of each Ajah, Rand, Matt, Perrin, Valda, some other guys and the cutest Mydraal you've ever seen. Callie handed out amazing Ajah-colored bracelets that everyone rocked all weekend.     Koala Sedai presented a giant-sized Uno card from her Cards of Time game to Guy Roberts, but not before she got all the backers of her Kickstarter to sign it!   The Black Tower held a pinning ceremony where they raised members to Dedicated and Asha’man, including Penny "The Cake Lady" Laspina & Guy Roberts!      Roofmistress Leigh-a presided over a ceremony where two Internet besties meeting in person for the first time became first sisters!    The con closed with an improv session that perfectly displayed the spirit of community and fun among our fandom.  This was a gathering of friends, both old and new, united by their love for The Wheel of Time.   As the convention wrapped up, the sense of community lingered. Plans were already being made for next year, with many—including myself—planning to arrive a day early to partake in the pre-con fun. WoTCon was a vibrant celebration of The Wheel of Time, its fans, and the bonds that tie us together.   I left Columbus with a heart full of memories and a renewed excitement for the series we all hold dear. WoTCon 2024 was an absolute blast, and I can’t wait to see what next year holds!   I’m going to leave you with my favorite photo of the weekend. Sparkles, bubbles, coffee, Maria, Michael, rubber ducks, cocktails, cameras, and smiles all around. It sums us right up!

This novella has quite a different setting from Aliette de Bodard’s recent Xuya books, but it’s an equally fascinating place.   Việt Nhi is a lowly member of the Rooster clan, one of the four opposed navigator clans who help guide ships through the Hollows; another space entirely that is used as a shortcut to achieve faster-than-light travel. As with many shortcuts, there is a slight catch. The Hollows are also home to a form of life known as the Tanglers; large unknowable creatures with deadly intangible tendrils that love to feed on the travellers who cross through their realm.   The navigators are not defenceless however—they can project their life energy into a form known as their Shadow; a force that can tear open holes in the universe and protect their ships from harm. Sometimes though, Nhi just uses it to give herself a nice hug when she is feeling stressed out by life.   And Nhi is certainly stressed. Not only has one of these eldritch horrors escaped from the Hollows intent on devouring everything in its path, not only is she being sent to find and catch it, but she will have to work with delegates of the other three clans to do so, accompanied by an aloof imperial envoy intent on keeping everybody in line.   Nhi does not do well with people. They do not always make sense to her, and she finds social interactions particularly wearing. Plus, all the clans barely tolerate each other at the best of times, so this will be quite the challenge of teamwork. To complicate matters even further, she finds herself inexplicably drawn to another member of the team…   With a queer and neurodivergent main protagonist, and a band of lovably broken outcasts, this is a fun tale inspired by xianxia-style martial arts, but rooted in science fiction with an undercurrent of romance. It does a lot of world building despite the short length, and I hope we will get to see these characters again, or at least have more stories set in the same universe.   Definitely worth your time.   Thanks to Tor Publishing for the early review copy.

I was incredibly excited to read The Daughters’ War by Christopher Buehlman, whose work I first discovered last year when browsing for audiobooks by top rated performances. Buehlman had read his own book, The Blacktongue Thief, and I was intrigued. In theory authors should be the perfect people to narrate their own books—they will get all of the pronunciation correct, and any intended inflections or emphases will be realized—but this is seldom actually the case. Voice acting is a talent and a skill that takes training to develop, just as writing is, and most folks pursue one path or the other (well, most folks pursue neither but we’ll forget about them for now). Buehlman defies this by turning in an excellent and accented performance of The Blacktongue Thief, deftly introducing readers to the characters and lore of his grim fantasy world.   The world of “Blacktongue,” where the duology (and I hope there are more books to come) is set, was not always grim. The Blacktongue Thief takes place several years after the goblin wars, a series of invasions by goblins that required increasingly desperate measures and alliances to be repelled by the kynd (the humanlike [humankynd?] races). The first invasion, known as the Knights’ War, was easily won by knights on horseback who outmatched the shorter goblins. The goblins responded by introducing a plague that devastated the horse population nearly to extinction, and the second invasion, called the Threshers’ War, required the conscription of farmers in order to hold out against the goblins. The humans won but paid a high price in blood and sons, and when the goblins came again, they had to call upon their daughters to march to war.   This “Daughters’ War” is where this second book takes us, from the perspective of Galva dom Braga. Galva, who was a grizzled veteran who worships the god of death in The Blacktongue Thief, is now an untried soldier marching to war as part of an experimental unit of women soldiers matched with war corvids. The corvids are magically bred, oversized, intelligent ravens that are trained to kill goblins. Readers of The Blacktongue Thief will know that the war corvids did indeed turn the tide, driving the goblins to an uneasy truce and leaving nearly the entirety of Manreach with a severe case of PTSD.   The Daughters’ War takes place during the war of that name, but the book is really about one daughter’s war: Galva dom Braga. Her three brothers are also marching to war, each in different capacities, and the story follows the dynamics of the dom Braga family in tandem with the battles against the goblins. The eldest brother and heir is a drunk who has been given a mostly symbolic rank and spends his war drinking and carousing with other ignoble nobles. The next brother has earned his high rank and sits on the senior war council. The youngest brother is a sort of assistant apprentice to the powerful and slightly mad wizard who created the corvids. Then there is Galva, the third eldest, who has trained at the elite sword academy and is paired with two deadly war corvids but has not yet been tested in a real fight.    Each dom Braga sibling will be tested in this war—against the enemy, against each other, and against themselves—and some will do better than others. Galva also experiences love and friendship, all against the backdrop of a terrible war that can suddenly and painfully introduce loss into any relationship.    And the war is brutal. Readers of The Blacktongue Thief will recall the legacy that the goblin wars had on the lands and their people; readers of The Daughters’ War will experience that trauma directly. These goblins are not the lesser cousins of orcs that populate many fantasy worlds. These are terrifying monsters whose primary reason for invading is simply that they want to eat people. Being eaten by monsters is not an unusual threat in fantasy (who can forget the infamous trolloc cookpots), but there is something particularly terrifying about the matter-of-factness with which these goblins pursue it (Buehlman has also written several horror novels). People are farmed, dumbed with drugs, herded, butchered, and savored. The goblins are intelligent, but in a nonhuman way. They build siege engines and execute strategies, but they also swarm like zombies, piling over themselves to overwhelm adversaries. There is an inevitability to the goblin invasion that permeates these pages. That is why the farmers, and now the daughters, have been called to fight.   I applaud Buehlman for creating this menacing adversary, and I applaud him further for making this book about the people who are fighting more than about the fight. There are fights aplenty, but the impact is felt more on Galva's character than on the battlelines. The book is, after all, a prequel, so a prepared reader will know more or less how the war itself goes. What is far more interesting is the path that Galva takes from a green soldier to the hardened, no-nonsense soldier that we meet in The Blacktongue Thief. We also see Galva meet the Infanta Mireya, whose usurped throne is a point of some consideration in The Blacktongue Thief, but whose relationship to Galva is the point of consideration in The Daughters’ War.   Perhaps the thing that impressed me most about this book is the change in tone from The Blacktongue Thief. That book is told from the perspective of the titular thief, full of exaggerations and swagger, willing to do most anything to seize an advantage. This book, from the perspective of the upright soldier Galva—for whom lying is a cardinal offense and to whom death is preferable to dishonor—feels entirely different. Even the verbosity is dialed back, from a skilled linguist who clearly enjoys his way with words to the laconic soldier who will not waste breath nor ink on anything that does not need to be said.   The Daughters’ War is a masterpiece in evoking the readers’ full range of emotion. This book made me stay up past my bedtime, made me cry, made me laugh (a little—there is little humor in war), and a certain character made me absolutely furious. I cannot recommend this book enough, and we can all hope that Christopher Buehlman continues to write in this world. The Daughters’ War is released on June 25; thank you to Tor for the advance review copy.

We join Maddileh on an ill-fated quest to recover the Fireborne Blade. The King himself witnessed her punching Sir Allerbon in the face, but I can assure you that he really did deserve it. So, retrieve the ancient sword, regain her honour. A simple enough proposition. Of course, the slight catch is that this weapon happens to be located deep in the lair of a legendary dragon, known as the White Lady.    The story slowly takes us towards their final confrontation, through pockets of dangerous magic and the ghosts of those who had fallen attempting the same journey. Her useless and argumentative squire Petros is also present.   Most of the world building comes in the form of academic papers on the nature of dragons, which are interspersed between the chapters of Maddileh’s story. Typically, these are records of previous encounters, which usually end in gruesome fashion for the knights involved. Even in death, dragons are still to be feared.   There are also some flashbacks to her preparations beforehand, notably getting some equipment from a mage, Kennion, and his suspiciously knowledgeable assistant Saralene. Perhaps the only thing worse in this world than a woman who wants to be a knight, is a woman who wants to wield magic.   I really enjoyed this book. The path down to the dragon is filled with twists and turns, both literally and literary. Even though it is brief at 176 pages, it paints a vivid picture of Maddileh’s world, and I quickly came to love the characters. Well, some of the characters, at least. It leaves things in such an interesting place that I hope I can read more of their adventures to find out what happens next.   Recommended.   Thanks to Tor Publishing for the early review copy.

Rebecca Thorne would be the first to admit this book was initially inspired by Travis Baldree’s Legends & Lattes (check out Ola Aleksandra Hills’ review here) . It’s a (mostly) cozy romance in a fantasy setting about two women who open up a shop, grow to be part of the local community, and have pasts that eventually catch up to them. On the surface, that sounds like the same story, but it really isn’t; think of it more as a familiar framework to hang something new on.   Reyna is great at her job as a royal guard, but does not particularly enjoy dispatching the increasingly frequent assassins who threaten the throne. It is not, however, a role you can easily leave with your head still attached, as the Queen frequently demonstrates.   Kianthe is the Arcandor; the most powerful mage in all the land. She’s a magical troubleshooter, called in to deal with big (and frequently fiery) problems. But there’s a lot of stifling politics around the role, and many layers of ineffectual men trying to tell her what to do.   The two have also been secretly dating for years, and have a shared dream of running far away together to open a tea shop that sells books. Or, perhaps, a bookshop that serves tea. An incident at the palace makes their dreams suddenly a lot more real, and they end up incognito as small business owners in a forgotten corner of the world. There is just the small matter of Reyna committing treason against the Queendom, and Kianthe hiding from the Magicary, but I’m sure that won’t come back to bite them later (it will).   It’s worth keeping in mind that this is not quite as cozy or small scale as Legends & Lattes is. There is an underlying dragon-shaped mystery about their new town, which leads them into more adventure, and indeed more mortal peril, than you might anticipate. The two of them don’t always make the best decisions, particularly in terms of self-care and self-preservation. But this is an established relationship, and they are both supportive of each other throughout, which is certainly refreshing.   “Tomes & Tea” is planned as a four book series, and books two and three are already written. So, it will not be too long until we find out what is next for our couple, and I personally can’t wait. In fact, since the first two books were originally self-published before being picked up by Tor, I don’t actually have to wait; those two are currently available in ebook form. The physical books look very nice however, and I suspect I will pick those up for my shelves as they are released.   A fun tale, recognisable in some ways, but still very entertaining. Another sapphic shopkeeping success!   Thanks to Tor for the early review copy.

The Robert Jordan Memorial Scholarship is awarded by the community of TarValon.Net to people seeking higher education in pursuit of being a Servant of All.  This year, two scholarships will be awarded, of $500 each.  People in any accredited program of study are welcome to apply; this includes students in two or four year colleges, graduate studies, or non-traditional certification programs.   Apply NOW! because the application period goes until May 15, 2024.  Applicants are asked to explain "how do you plan to use your education in a way that exemplifies being a Servant of All?" and scholarships will be awarded based on the response.  The Tar Valon Community Council will read the essays and determine scholarship recipients, who will be notified in July.    More detail is available on the Tar Valon website.  To apply, go HERE. 

Many modern fantasy books are showcases of worldbuilding—magic systems, creative (and not so creative) variations on the “orc,” tongue-twisting character and place names, and so on. Foul Days by Genoveva Dimova has the best elements of all of that, but it also has what so many of its contemporaries do not: vivid and engaging prose. Take the very first paragraph. It was nearly midnight on New Year’s Eve, but the city inside the Wall didn’t celebrate. The people there knew that the birth of a new year was—like any birth—difficult, painful, and dangerous.   You better believe I tore through this 350-page book in a hurry after that. It helped that I read it on vacation, of course, with my only distractions being ordering another drink and the occasional dip in the Pacific. But Foul Days isn’t just a great beach read. It is also a great stay-up-past-your-bedtime read, a great take-on-your-lunch-break read, a great anytime read. The action is fast, the world is vividly bleak, and the suspense kicks in early and doesn’t let up.   The main character, Kosara, is a young witch who has packed a surprisingly long troubled past into her short years. Before long, she is forced to give up her shadow—her magic—in order to escape from the Czar of Monsters. It’s a short-term solution, because a witch can’t live for long without her shadow. In Kosara’s quest to get it back, she gets swept up in the machinations of the criminal underworld and crooked cops—including a handsome cop with almost as many secrets as Kosara—and a host of monsters. There is an element of steampunk to the fantasy—trains, guns, and a hot air balloon make appearances—as well as a touch of romance (I did mention a handsome cop…).   I picked this book up because the blurb advertises The Witcher meets Naomi Novik, and doesn’t that sound like a good time? There is more Naomi Novik here than Geralt; the Witcher comparison stems mostly from the compendium of monsters and specialized monster fighters. Novik’s influence is much more present, with a flawed-but-strong young heroine and a world grown from eastern-European folklore roots. In the case of Foul Days, those influences come from the author’s origins in Bulgaria.   Indeed, the “Foul Days” of the title correspond to the Pagan Slavic winter holiday of Korochun, the time of year when the more malevolent spirits are at their most potent. Those spirits are especially potent in Chenograd, where the story begins. Chenograd and Belograd are two halves of a city divided by a wall—The Wall—which keeps all the monsters and evil spirits on the Chenogradean side. It also (mostly) keeps all the citizens of the cities on their respective sides. As you might imagine, there is some tension between the folks on opposite sides of The Wall.   We learn more about the origins of The Wall and how this city got to be divided as the book progresses. Dimova does an exceptionally good job of introducing the lore at a pace that keeps the reader informed without overwhelming. The POV is third person, but there is more than a hint of the unreliable narration from our heroine, Kosara, who has some secrets that she would rather not share with the reader or anyone else. This mostly works well, creating an atmosphere of uncertainty that very much matches the uncertainty that Kosara feels after crossing to the other side of the wall and discovering the betrayal and deception that more than validate her secrecy.   There are a few instances, though, where I wish Dimova had trusted her own very capable character development and left things in the subtext. For example, after Kosara meets a character who is revealed to have robbed a bank with a toy gun, we read that “Kosara glanced at Nur with newfound respect. This perhaps showed that something was amiss in Kosara’s own moral compass.” Added to the fact that on the very first page of the book we see Kosara using magic to cheat at cards, I don’t think we need to be told so explicitly in which direction her moral compass points.   Overwhelmingly, though, I enjoyed the prose of Foul Days immensely. The world that Dimova creates leaps off the page—sometimes frighteningly so—and, at times, managed to take me from my sunny vacation to the snowy streets of Chernograd and Belograd. I loved discovering and understanding the different monsters, some of which are truly evil and some of which are just your average creatures with their own needs and wants. The book also does an excellent job of illustrating that some of the humans are more monstrous than any creature, and, as the cover of the book says, “the scariest monsters are the human-shaped ones.”   Foul Days by Genoveva Dimova comes out in June, and I highly recommend putting it on your summer reading list. The second book, Monstrous Nights, is set to release in October, and I am already excited to see how Dimova continues this adventure. Thank you to TOR for the advance reader copy that I reviewed, and thank you to Grace for editing this review.