Aes Sedai with family ties, husbands, or children appear to be a rare exception. In that sense, they could be seen as forerunners of modern career women, devoting themselves primarily to their duties and responsibilities within the White Tower while avoiding emotional attachments whenever possible. The only exception I am aware of seems to be Cadsuane Melaidhrin, who is mentioned somewhere as having had children in the distant past. Beyond that, I cannot recall any other example of an Aes Sedai maintaining family bonds. Moreover, due to their longevity, Aes Sedai generally outlive their children and grandchildren, should they ever have had any. Do you have information I may have overlooked?

The Creator is mentioned muliple times as the being who spun the Wheel of Time and imprisoned the Dark One. The Creator does not intervene in the world, nor is worship directed toward them. Peopl seem to talk about him, but there seems to be neither veneration, or any sort of prayer directed towards him. Isn't that somewhat peculiar? On the other hand there is the Dark One, a direct opponent to the Creator and though feared by most people, there must be quite a lot of them (Darkfriends mainly) who revere and even venerate him. So these people obiously adhere to some sort of religion, even though it's the Shadow and not the Light they enshrine. The group that comes closest to a religious order are the Children of the Light, though their creed is largely confined to a fanatical persecution of those they deem their enemies. It seems to me that the Creator of the universe is left wanting, since not even his most steadfast champions, the Aes Sedai, display the slightest trace of a religious inclination. Correct?

Thank you for your comment, I must have forgotten this detail, for its already quite a while, when I finished reading the whole epos. Padan Fain must have shed his outward semblance and all trace of ordinary human bearing with dreadful haste, descending into the pitiful shadow of a form he now parades before the world.

Moiraine, like most of her order, once again embodies the great silent ones—mysterious, aloof, and seemingly too exalted to convey even the simplest matters to “ordinary” mortals. I know my criticism is severe, yet with many of our heroines I find myself missing the touch of normal human behavior, and my sympathy for them remains rather limited.

Who is the beggar, clad in rags and hiding his face beneath a hood, who pursues Rand in Caemlyn and forces him to vanish into the crowd? Is it Padan Fain? On the other hand, it is unclear—indeed even unlikely—that Padan Fain could have entered into a symbiosis with Mordeth AND the Dark Lord in such a relatively short time (since the boys had left the Two Rivers), and thus present himself in such a degraded appearance.

So nobody tried his luck? I'm a little bit disappointed, it isn't as difficult as you might think. Need any further help from me? Be free to contact me my friends!

Thanks a lot for showing me this picture, this guy must realy be well known in your country! I am deeply moved that a Black African is being honored with a statue. Greetings and best 73 from Caelan --.../...--

Perrin and Egwene find themselves in the hands of the Whitecloaks, and should they reach Caemlyn, they face torture and death. Because of Perrin’s bond with the wolves, they are branded as Darkfriends, and Jaret Byar in particular delights in painting vivid pictures of the fate that awaits them. As a side note: while reading The Wheel of Time series, I was never entirely certain whether Byar was merely an odious fanatic or in truth a Darkfriend—just my personal impression. Now to my question: why does Byar offer his prisoners the chance to escape, even providing them with the means (he lets a stone blade fall beside Perrin)? Is it simply his fear that the wolves might wreak havoc upon the company? Or is it a more insidious scheme—to let the captives flee only to hunt them down and kill them while on the run? I would welcome your thoughts.

In Whitebridge, Mat and Rand are separated from Thom during an attack by a Fade. Thom abandons—or perhaps loses—his instruments as he hurls himself against the Myrddraal to save the boys. From this event, Rand comes into possession of the flute, which sustains him during his long journey to Caemlyn by providing a means of livelihood. Yet the fate of the harp remains uncertain. Was it lost, or did Rand dispose of it along the way? Has anyone a clue?

Artur Hawkwing was, as is well known, one of the most renowned rulers, a so‑called “High King” who, in the tenth century NE, reigned over all the lands west of the Spine of the World. He dispatched a great fleet—under the command, I believe, of his son Luthair—across the Aryth Ocean, whose descendants would later return as the Seanchan. In the history of humankind there have been many great generals and conquerors, a few of whom may be mentioned here: Alexander III of Macedon ruled from 336 BC until his death in 323 BC; Temüjin, known as Genghis Khan, united the Mongols in 1206 and by 1227 had built the largest empire in history, encompassing China, Central Asia, and parts of Eastern Europe; Gaius Julius Caesar expanded the Roman realm through the Gallic Wars from 58 to 50 BC and the Egyptian campaign of 48–47 BC, thereby strengthening his power base, and he is regarded as one of the most influential commanders of antiquity; William the Conqueror seized England in 1066 at the Battle of Hastings; Attila the Hun ravaged much of Central Europe in the 440s–450s AD; and Otto the Great defeated the Hungarians in 955 at the Battle of Lechfeld. Do you think Robert Jordan may have taken one of these figures from our own history as a model for his creation of Hawkwing? My own preference would be Alexander the Great, whose empire likewise collapsed immediately after his death. Do you have another suggestion?

Perrin seems to be the most "conservative" one...He obviously ist the least inclined to become a womanizer. He strikes me as so impeccably well-behaved that I almost start to feel guilty about my own youthful years...😁

The name "Hend the striker" is mentioned just once in the wheel of time series, namely in "A Memory of Light" Vol XIV. Throughout my search for a real person with this name on the internet, I came across a certain John Henry, whom, due to my European heritage, I unfortunately never heard of before. As it turned out, John Henry was an African American laborer who manually drilled holes in rock in order to place dynamite into them. He is said to have won a competition against a steam-powered drilling machine but paid for this triumph with his life due to total exhaustion. Did you know about this connection with the Age of Legends?

I have a profound affection for wolfes and wolfdogs (and of course to their more tame cousins the german shepherd dogs!). I admire their pack cohesion, though governed by a strict hierarchy, yet even the weakest member - the "omega" so to speak - is granted a chance to survive. Though he does not receive the choicest portion of the hunted game, he never departs entirely empty-handed. Now, in the tale, we learn that Perrin possesses the astonishing and wondrous gift of communing with wolves, even counting them as his allies. How is it that throughout the epic, Perrin resists, with every fiber of his being, accepting this ability in a favorable light? Perrin's attitude has always remaied inscrutable to me. If it were not for these circumstances I have described here, Perrin would be, for me, the second most likable person in the entire story (after Matt of course! 🥰) I would appreciate yours thoughts my friends...

If the mints had any significance or power to protect our heroes, Shouldn’t Moiraine have warned the boys never to part with those coins? As far as I can remember, they were handed out without any specific comment.

But we don't really know of channeling, do we? At least there were no outwars sign of it whatsoever (fire, storm, mental control??) I always thought, that the occurrence on the boat was his second supernatural action, but of course, your point also merits consideration.