El-Mohtar’s vision of magic is especially striking: grammar itself becomes a raw, flowing energy, harvested from the river between worlds and entrusted to those who wield it. As the story notes, “That is the nature of grammar—it is always tense, like an instrument, aching for release, longing to transform present into past into future, is into was into will.” It’s a breathtaking conceit, both poetic and wholly original.